Additional Information:  An interesting mask from the Ibibio of Cross River in Nigeria depicts a colonial male. This character was probably made to be perfomed in the context of the Ekpo society.  The powerful Ekpo Society controls almost every facet of Ibibio life.  The Ekpo, which is strictly for men, is technically in charge of initiations and directing ceremonies venerating ancestors, who are the most important influence in Ibibio culture. Masked Ekpo dancers direct funerals to insure that the dead receive the proper respect.  If they do not, punishment can be swift and brutal, and the Ekpo, as practiced by the Ibibio, who number over one million, has sometimes been described as "police brutality," such is their stranglehold on political and social power. In fact, the Ekpo was so dominant during British occupation that colonial officials just relented and allowed the society to operate. Ekpo masks can be serene and beautiful, or fierce and frightening. Ibibio carvers are highly respected throughout the Niger Delta and Cross River areas, and they are often asked to carve masks for other groups, like the Boki, Anang, and Ogoni. The Ogoni, in fact, do not have an Ekpo Society, but enjoy Ekpo dances, and have, on occasion, purchased masks from Ibibio carvers. See "Masks of Black Africa", by Segy.

• Type of Object: Colonial Face Mask
• Materials: Wood, pigment
• Country of Origin: Cross River State, Nigeria
• Dimensions: Height: 12.5 InchesWidth: 8.5 Inches
• People: Ibibio or Ogoni

Type of Object: Colonial Face MaskAfrica Direct